In this paper I would like to demonstrate that the "society" of spectacle notably influences our idea of the other and our intercultural thought and practice. In this way the imagination is not a free creative capability of a human being, but a political and social instrument of power of the society of spectacle.
D'Anna, G., On the correlativistic construction of the other. for an analytical anti-spectacular interculturalism: Nicolai hartmann, György Lukács and Guy Debord, <<CULTURA>>, 2011; 8 (2): 51-61. [doi:10.2478/v10193-011-0018-8] [http://hdl.handle.net/10807/173386]
On the correlativistic construction of the other. for an analytical anti-spectacular interculturalism: Nicolai hartmann, György Lukács and Guy Debord
D'Anna, Giuseppe
2011
Abstract
In this paper I would like to demonstrate that the "society" of spectacle notably influences our idea of the other and our intercultural thought and practice. In this way the imagination is not a free creative capability of a human being, but a political and social instrument of power of the society of spectacle.
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