The contribution tries to show the effectiveness of combining the two levels of the language of use and of the literary language in the "Agnesa da Faenza" of Becelli. The aim is to highlight the peculiar way in which the author sets up the performance of the word, because this is mainly the characteristic feature of its comedies. its originality lies not so much in the choice of themes, nor in the way of representing them, but rather in the ability to shed new light on trite ways of saying and foreseeable dialogical or structural paradigms that are here highlighted.
Bisi, M., «Legne al bosco e gocciole al mare»: la retorica dell’«Agnesa da Faenza» di G.C. Becelli, in Goldoni «avant la lettre»: drammaturgie e pratiche attoriali fra Italia, Spagna e Francia (1650-1750), (NAPOLI -- ITA, 12-14 April 2018), lineadacqua, Venezia 2019: 217-228 [http://hdl.handle.net/10807/149650]
«Legne al bosco e gocciole al mare»: la retorica dell’«Agnesa da Faenza» di G.C. Becelli
Bisi, MonicaPrimo
2019
Abstract
The contribution tries to show the effectiveness of combining the two levels of the language of use and of the literary language in the "Agnesa da Faenza" of Becelli. The aim is to highlight the peculiar way in which the author sets up the performance of the word, because this is mainly the characteristic feature of its comedies. its originality lies not so much in the choice of themes, nor in the way of representing them, but rather in the ability to shed new light on trite ways of saying and foreseeable dialogical or structural paradigms that are here highlighted.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.