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EnglishOver the years Alain Rabatel has developed the theory of the Point of view (PDV), an imperfect kind of inner monologue, a non-verbalised form of speech, whereof the subject is not totally conscious. By the application of Rabatel’s theory to the representation of animals in Literature, we can analyse a non-human interior universe, the animal’s perceptions and representations which only produce “unspeakable sentences”. Maurice Genevoix’s attention to the animals’ conscience is paradigmatic. In this paper we analyse the elementary forms of the animal’s “inner speech” in two novels (Rroû [1931] and especially La Dernière Harde [1938]): Genevoix’s “enunciative blurring” reveals his moral position and, consequently, his spiritual need, which is fulfilled by the contemplation of the force of life, moving through every living creature.
Vago, D., Genevoix et la « parole » animale. Du brouillage énonciatif à la spiritualité de l’oikos, <<REVUE ITALIENNE D'ÉTUDES FRANÇAISES>>, 2019; 2019 (9): 1-13. [doi:10.4000./rief.3066] [http://hdl.handle.net/10807/143767]
| Autori: | ||
| Titolo: | Genevoix et la « parole » animale. Du brouillage énonciatif à la spiritualité de l’oikos | |
| Digital Object Identifier (DOI): | http://dx.doi.org/10.4000./rief.3066 | |
| URL: | https://journals.openedition.org/rief/3066 | |
| Data di pubblicazione: | 2019 | |
| Abstract: | Over the years Alain Rabatel has developed the theory of the Point of view (PDV), an imperfect kind of inner monologue, a non-verbalised form of speech, whereof the subject is not totally conscious. By the application of Rabatel’s theory to the representation of animals in Literature, we can analyse a non-human interior universe, the animal’s perceptions and representations which only produce “unspeakable sentences”. Maurice Genevoix’s attention to the animals’ conscience is paradigmatic. In this paper we analyse the elementary forms of the animal’s “inner speech” in two novels (Rroû [1931] and especially La Dernière Harde [1938]): Genevoix’s “enunciative blurring” reveals his moral position and, consequently, his spiritual need, which is fulfilled by the contemplation of the force of life, moving through every living creature. | |
| Abstract: | Alain Rabatel a développé au fil des années la théorie du point de vue (PDV), forme « oblique » de parole intérieure, discours non verbalisé, ni pleinement conscientisé. L’application de sa théorie à la représentation littéraire de l’animal permet de rendre compte d’une intériorité non-humaine, des mécanismes perceptifs et de représentation qui n’entraînent que des « phrases sans parole ». L’attention que Maurice Genevoix porte à la subjectivité animale est en ce sens exemplaire. Nous analyserons les formes embryonnaires de « parole intérieure » animale dans deux romans (Rroû [1931] et, surtout, La Dernière Harde [1938]), afin de montrer comment le brouillage énonciatif révèle une posture morale d’accueil de la part de l’écrivain et, par conséquent, une ouverture spirituelle, comblée par la contemplation de la force vitale qui anime toute créature vivante. | |
| Lingua: | Francese | |
| Rivista: | ||
| Citazione: | Vago, D., Genevoix et la « parole » animale. Du brouillage énonciatif à la spiritualité de l’oikos, <<REVUE ITALIENNE D'ÉTUDES FRANÇAISES>>, 2019; 2019 (9): 1-13. [doi:10.4000./rief.3066] [http://hdl.handle.net/10807/143767] | |
| Appare nelle tipologie: | Articolo in rivista, Nota a sentenza |
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| rief-3066.pdf | Versione Editoriale (PDF) | Nessuna Nota |  | Open Access Visualizza/Apri |
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