D’Annunzio, according to a Gadda’s remarkable declaration, constituted one of the pillars of his own formation. This paper focused on the controversial relationship between Gadda and d’Annunzio: after an initial infatuation, the more grounded Gadda takes on openly critical and parodic positions (in his works, but especially in some sarcastic epistolary communications with Gianfranco Contini). This attitude, however, is not constant over time and leaves place for unequivocal appreciation of the overall figure and specific areas of d’Annunzio’s production.
D’Annunzio, secondo un'importante dichiarazione dello stesso Gadda, è stato uno dei pilastri della sua formazione letteraria. L'articolo si occupa del controverso rapporto fra Gadda e d'Annunzio, evidenziando le molte oscillazioni di giudizio, dall'entusiasmo fino al sarcasmo, riscontrabili nell'opera e nelle dichiarazioni gaddiane su d'Annunzio.
Zollino, A., «No, non il caval sauro, per noi». Antifrasi e riferimenti dannunziani nell’opera di Carlo Emilio Gadda, <<ARCHIVIO D’ANNUNZIO>>, 2018; (5): 97-108 [http://hdl.handle.net/10807/128468]
«No, non il caval sauro, per noi». Antifrasi e riferimenti dannunziani nell’opera di Carlo Emilio Gadda
Zollino, Antonio
2018
Abstract
D’Annunzio, according to a Gadda’s remarkable declaration, constituted one of the pillars of his own formation. This paper focused on the controversial relationship between Gadda and d’Annunzio: after an initial infatuation, the more grounded Gadda takes on openly critical and parodic positions (in his works, but especially in some sarcastic epistolary communications with Gianfranco Contini). This attitude, however, is not constant over time and leaves place for unequivocal appreciation of the overall figure and specific areas of d’Annunzio’s production.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.