Hidden or well visible, secret or really known by everybody, in two words public or private: it’s in this continuous dichotomy that we can describe the rock art tradition of Valcamonica. At least modern people, as we are, can see and visit (almost) always the rock art sites discovered up today. Was it possible also in the ancient times? Could everybody visit a rock art site or was the access to it normed by rules? Why are some panels well visible (because engraved on vertical surfaces), while other are practically invisible unless we don’t walk over them? Our paper tries to get a key-clue for the interpretation of these problems

Fossati, A. E., Pubblico e privato nella tradizione rupestre della Valcamonica, Italia, <<BCSP>>, 2016; 2016 (41): 31-44 [http://hdl.handle.net/10807/92190]

Pubblico e privato nella tradizione rupestre della Valcamonica, Italia

Fossati
Primo
2016

Abstract

Hidden or well visible, secret or really known by everybody, in two words public or private: it’s in this continuous dichotomy that we can describe the rock art tradition of Valcamonica. At least modern people, as we are, can see and visit (almost) always the rock art sites discovered up today. Was it possible also in the ancient times? Could everybody visit a rock art site or was the access to it normed by rules? Why are some panels well visible (because engraved on vertical surfaces), while other are practically invisible unless we don’t walk over them? Our paper tries to get a key-clue for the interpretation of these problems
Italiano
Fossati, A. E., Pubblico e privato nella tradizione rupestre della Valcamonica, Italia, <<BCSP>>, 2016; 2016 (41): 31-44 [http://hdl.handle.net/10807/92190]
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10807/92190
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