The article analyzes the installations by Gianikian and Ricci Lucchi moving from an intermedial and media archaeological background, claiming not only that the production by the artists conceived for the gallery space are to be seen in continuity as regards to their filmography, but that these corpus of recent artworks speak to the urge to spatialize the filmic image within a physical, practical, phenomenological environment.

De Rosa, M. S., Intermediality, media-archaeology, and the gallery. Notes on Yervant Gianikian and Angela Ricci Lucchi’s video installations, in At the Borders of (Film) History. Temporality, Archaeology, Theories, (Università degli Studi di Udine, 02-04 April 2014), Forum, Udine 2015: 91-100 [http://hdl.handle.net/10807/79936]

Intermediality, media-archaeology, and the gallery. Notes on Yervant Gianikian and Angela Ricci Lucchi’s video installations

De Rosa
Primo
2015

Abstract

The article analyzes the installations by Gianikian and Ricci Lucchi moving from an intermedial and media archaeological background, claiming not only that the production by the artists conceived for the gallery space are to be seen in continuity as regards to their filmography, but that these corpus of recent artworks speak to the urge to spatialize the filmic image within a physical, practical, phenomenological environment.
Inglese
At the Borders of (Film) History. Temporality, Archaeology, Theories
Film Forum
Università degli Studi di Udine
2-apr-2014
4-apr-2014
978-88-8420-886-6
Forum
De Rosa, M. S., Intermediality, media-archaeology, and the gallery. Notes on Yervant Gianikian and Angela Ricci Lucchi’s video installations, in At the Borders of (Film) History. Temporality, Archaeology, Theories, (Università degli Studi di Udine, 02-04 April 2014), Forum, Udine 2015: 91-100 [http://hdl.handle.net/10807/79936]
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10807/79936
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