Cinematic experience is deepness linked to history of women emancipation. Grounded on this premise, this essay rebuilds the history of Italian women moviegoing since the first affirmation of cinema as popular entertainment (in Italy during 1930’) to now. Especially, essay identifies four main phases: “modernity denied”, “everybody to home”, “erudited consumption” and “feminilization of consumption”.

Fanchi, M., Le italiane "al" cinema: spettatrici, <<QUADERNI DEL CSCI>>, 2015; (11): 156-161 [http://hdl.handle.net/10807/68648]

Le italiane "al" cinema: spettatrici

Fanchi
2015

Abstract

Cinematic experience is deepness linked to history of women emancipation. Grounded on this premise, this essay rebuilds the history of Italian women moviegoing since the first affirmation of cinema as popular entertainment (in Italy during 1930’) to now. Especially, essay identifies four main phases: “modernity denied”, “everybody to home”, “erudited consumption” and “feminilization of consumption”.
Italiano
Fanchi, M., Le italiane "al" cinema: spettatrici, <<QUADERNI DEL CSCI>>, 2015; (11): 156-161 [http://hdl.handle.net/10807/68648]
File in questo prodotto:
Non ci sono file associati a questo prodotto.

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10807/68648
Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact