A comparison between the theoretical perspectives of two recent publications: Pasi Väliaho’s Projecting Spirits: Speculation, Providence, and Early Modern Optical Media (Stanford: Stanford University Press, 2022), a detailed media archaeological investigation into the role of optical and projection devices in reorganising the concept of the world at the turn of the 18th century; Francesco Casetti’s Screening Fears: On Protective Media (New York: Zone Books, 2023), a wide-ranging theoretical exploration of the protective/projective function of media from the 19th century to the present.
Grossi, G. M., Recensione a "1) Pasi Väliaho; 2) Francesco Casetti, 1) Projecting Spirits: Speculation, Providence, and Early Modern Optical Media (Stanford:Stanford University Press, 2022);2) Screening Fears: On Protective Media (New York: Zone Books, 2023). 1) Stanford University Press; 1) Zone Books., 1) Stanford; 2) New York 1) 2022; 2) 2023.", <<NECSUS>>, Autumn 2024; 13 (2):327-332. 10.25969/mediarep/23672 [https://hdl.handle.net/10807/340878]
Archaeology of projection and economy of the real
Grossi, Giancarlo Maria
2024
Abstract
A comparison between the theoretical perspectives of two recent publications: Pasi Väliaho’s Projecting Spirits: Speculation, Providence, and Early Modern Optical Media (Stanford: Stanford University Press, 2022), a detailed media archaeological investigation into the role of optical and projection devices in reorganising the concept of the world at the turn of the 18th century; Francesco Casetti’s Screening Fears: On Protective Media (New York: Zone Books, 2023), a wide-ranging theoretical exploration of the protective/projective function of media from the 19th century to the present.| File | Dimensione | Formato | |
|---|---|---|---|
|
NECSUS_2024_2_327-332_Grossi_Archaeology_.pdf
accesso aperto
Tipologia file ?:
Versione Editoriale (PDF)
Licenza:
Creative commons
Dimensione
875.44 kB
Formato
Adobe PDF
|
875.44 kB | Adobe PDF | Visualizza/Apri |
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.



