A recently discovered fragment of a fresco by Johann Cristoph Storer from the rooms of Palazzo Omodei in Cusano Milanino, with of some other mythological friezes believed to be the work of Storer’s workshop, has sparked a reflection on this significant monument in 17 th century Lombardy. The authors also argue that the figures in the palace hall, displayed within an expansive architectural framework (formerly attributed to Giovanni Ghisolfi), should also be assigned to Storer. The analysis of those quadratures suggested a reconsideration of Ghisolfi’s art, with the proposal for some new attributions (and another new attribution to Storer).
Pavesi, M., Bruzzese, S., Tre affreschi di Johann Christoph Storer per palazzo Omodei a Cusano Milanino, e qualche nota su Giovanni Ghisolfi, <<ARTE LOMBARDA>>, 2025; (203-204): 95-116 [https://hdl.handle.net/10807/339697]
Tre affreschi di Johann Christoph Storer per palazzo Omodei a Cusano Milanino, e qualche nota su Giovanni Ghisolfi
Pavesi, Mauro;Bruzzese, StefanoCo-primo
2025
Abstract
A recently discovered fragment of a fresco by Johann Cristoph Storer from the rooms of Palazzo Omodei in Cusano Milanino, with of some other mythological friezes believed to be the work of Storer’s workshop, has sparked a reflection on this significant monument in 17 th century Lombardy. The authors also argue that the figures in the palace hall, displayed within an expansive architectural framework (formerly attributed to Giovanni Ghisolfi), should also be assigned to Storer. The analysis of those quadratures suggested a reconsideration of Ghisolfi’s art, with the proposal for some new attributions (and another new attribution to Storer).I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.



