The episode of Orlando’s madness, placed at the center of "Orlando furioso", marks a profound crisis for the hero, betrayed in his love for Angelica. The paladin undergoes an inner katabasis, passing through the forest ‒ a space symbolizing the unconscious ‒ where the signs of Angelica and Medoro’s union ‒ carvings on trees, inscriptions, and stories ‒ lead him to a gradual psychological collapse. He moves from denial to painful awareness of reality, ultimately losing his sanity entirely. His rage explodes in a blind fury reminiscent of certain characters from classical tragedy; however, Ariosto maintains a light and ironic tone, while also offering a reflection on love as an irrational force. Orlando’s furor becomes an allegory for the dissolution of chivalric values, a theme that will later be explored in Cervantes’s "Don Quixote".
L’episodio della follia di Orlando, posto al centro del "Furioso", segna una crisi profonda dell’eroe, tradito nell’amore per Angelica. Il paladino affronta una catabasi interiore, attraversando la selva, spazio dell’inconscio, dove i segni dell’unione tra Angelica e Medoro – incisioni sugli alberi, scritte, racconti – lo portano a un progressivo crollo psichico. Egli passa dalla negazione alla consapevolezza dolorosa della realtà, fino alla perdita totale del senno, e la sua ira si sfoga in una furia cieca che richiama alcuni personaggi della tragedia classica; Ariosto mantiene però un tono leggero e ironico, offrendo tuttavia anche una riflessione sull’amore come forza irrazionale. Il furor di Orlando diventa allegoria della dissoluzione dei valori cavallereschi, che sarà poi tematizzata anche nel "Don Chisciotte" di Cervantes.
Corradini, M. M., La follia di Orlando, <<NUOVA SECONDARIA>>, 2026; XLIII (maggio): 74-78 [https://hdl.handle.net/10807/337319]
La follia di Orlando
Corradini, Marco Maria
2026
Abstract
The episode of Orlando’s madness, placed at the center of "Orlando furioso", marks a profound crisis for the hero, betrayed in his love for Angelica. The paladin undergoes an inner katabasis, passing through the forest ‒ a space symbolizing the unconscious ‒ where the signs of Angelica and Medoro’s union ‒ carvings on trees, inscriptions, and stories ‒ lead him to a gradual psychological collapse. He moves from denial to painful awareness of reality, ultimately losing his sanity entirely. His rage explodes in a blind fury reminiscent of certain characters from classical tragedy; however, Ariosto maintains a light and ironic tone, while also offering a reflection on love as an irrational force. Orlando’s furor becomes an allegory for the dissolution of chivalric values, a theme that will later be explored in Cervantes’s "Don Quixote".I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.



