This article examines Hungarian cinema, focusing on Jancsó and Tarr. It highlights their signature gestures and influence on European film, considering socio-political contexts. Analyzing scenes from "Red Psalm", it shows a connection between their depiction of 19th-century agrarian struggles for anarchist socialism and motifs in Tarr’s later films, such as "The Turin Horse".
Boffi, G., In coda all'Orsa Maggiore. Di un motivo estetico-politico nel cinema ungherese, <<PHILM>>, 2025; (4): 145-158. [doi:https://doi.org/10.13136/2974-6442/v04/2025/145] [https://hdl.handle.net/10807/326697]
In coda all'Orsa Maggiore. Di un motivo estetico-politico nel cinema ungherese
Boffi, Guido
Primo
2025
Abstract
This article examines Hungarian cinema, focusing on Jancsó and Tarr. It highlights their signature gestures and influence on European film, considering socio-political contexts. Analyzing scenes from "Red Psalm", it shows a connection between their depiction of 19th-century agrarian struggles for anarchist socialism and motifs in Tarr’s later films, such as "The Turin Horse".
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