During the seventeenth century the Church repeatedly intervened to discipline stage practices among Milanese female monasteries, in particular to safeguard the reclusion and to prevent any contact between nuns and external audience. From the half of the century the ecclesiastical law started to permit spiritual representations in monasteries. Nuns however prepared profane plays too and practiced theatre also during carnival and in the occasion of Spanish queens’ visits. The essay examines printed texts of representations composed by laic and religious authors between the end of the sixteenth century and the second half of the seventeenth century: the archiepiscopal vicar Girolamo Rabbia for S. Orsola’s nuns; the poet Giovanni Soranzo; the Minore Osservante monk Fausto Ferrari; the barnabita Giovanni Nicolò Boldoni; the poet Carlo Torre; and the traces of Sister Rosa Maria Felice Maggi’s dramatic writing – probably in dialect – in the Turchine monastery.
Carpani, R., Educazione, edificazione, intrattenimento: tracce di teatro nei monasteri milanesi in età spagnola, in Barocco Padano 7. Atti del XV Convegno internazionale sulla musica italiana nei secoli XVII- XVIII, Milano 14-16 luglio 2009, (Milano Università Cattolica, 14-16 July 2009), A.M.I.S., Como 2012: 701-742 [http://hdl.handle.net/10807/32509]
Autori: | ||
Titolo: | Educazione, edificazione, intrattenimento: tracce di teatro nei monasteri milanesi in età spagnola | |
Data di pubblicazione: | 2012 | |
Abstract: | During the seventeenth century the Church repeatedly intervened to discipline stage practices among Milanese female monasteries, in particular to safeguard the reclusion and to prevent any contact between nuns and external audience. From the half of the century the ecclesiastical law started to permit spiritual representations in monasteries. Nuns however prepared profane plays too and practiced theatre also during carnival and in the occasion of Spanish queens’ visits. The essay examines printed texts of representations composed by laic and religious authors between the end of the sixteenth century and the second half of the seventeenth century: the archiepiscopal vicar Girolamo Rabbia for S. Orsola’s nuns; the poet Giovanni Soranzo; the Minore Osservante monk Fausto Ferrari; the barnabita Giovanni Nicolò Boldoni; the poet Carlo Torre; and the traces of Sister Rosa Maria Felice Maggi’s dramatic writing – probably in dialect – in the Turchine monastery. | |
Lingua: | Italiano | |
Titolo del libro: | Barocco Padano 7. Atti del XV Convegno internazionale sulla musica italiana nei secoli XVII- XVIII, Milano 14-16 luglio 2009 | |
ISBN: | 978-88-97859-00-0 | |
Editore: | A.M.I.S. | |
Nome del convegno: | La musica e il sacro. XV Convegno internazionale sul Barocco Padano (secoli XVII- XVIII) | |
Luogo del convegno: | Milano Università Cattolica | |
Data inizio evento: | 2009-07-14 | |
Data fine evento: | 2009-07-16 | |
Citazione: | Carpani, R., Educazione, edificazione, intrattenimento: tracce di teatro nei monasteri milanesi in età spagnola, in Barocco Padano 7. Atti del XV Convegno internazionale sulla musica italiana nei secoli XVII- XVIII, Milano 14-16 luglio 2009, (Milano Università Cattolica, 14-16 July 2009), A.M.I.S., Como 2012: 701-742 [http://hdl.handle.net/10807/32509] | |
Appare nelle tipologie: | Atti di Convegno, Congresso, Giornate di studio, ecc., Workshop (in volume) |