Sounds and music are experiences that solicit deep resonances, with sensorial and physical, emotional and inner reverberations. Music is not only a vector of communication but a complex anthropological dimension in which personal, cultural, social, aesthetic-artistic instances converge, recalling the identities and generations. The contact with music proves to be a field of pedagogical reflection, to approach the most recent changes of young people. The article aims to investigate some of the main features of the digital musical microcosm experienced as a search for a physical and symbolic place of sensibility and hospitality of themselves. Music is not necessarily a search for precision of sounds, but as possibility of communicating the the imperfect and vulnerable dimensions of oneself, in response to the artificial perfection of society, to rediscover personal uniqueness.
I suoni e la musica sono esperienze che sollecitano risonanze profonde, con riverberi sia sensoriali e corporei, emotivi e interiori. La musica non è soltanto vettore di comunicazione ma una dimensione antropologica complessa nella quale confluiscono istanze personali, culturali, sociali, estetiche-artistiche che richiamano le identità e le generazioni. Il contatto con la musica si rivela un campo di riflessione pedagogica, per accostare i cambiamenti più recenti dei giovani.
Musaio, M., Dalla musica fuori alla musica “dentro la stanza”: riflessioni pedagogiche su estetiche lofie sensibilità giovanili, <<STUDIUM EDUCATIONIS>>, XXVI - 1 - Giugno 2025; 2025 (1 Giugno): 52-59. [doi:10.7346/SE-012025-06] [https://hdl.handle.net/10807/322344]
Dalla musica fuori alla musica “dentro la stanza”: riflessioni pedagogiche su estetiche lofi e sensibilità giovanili
Musaio, Marisa
2025
Abstract
Sounds and music are experiences that solicit deep resonances, with sensorial and physical, emotional and inner reverberations. Music is not only a vector of communication but a complex anthropological dimension in which personal, cultural, social, aesthetic-artistic instances converge, recalling the identities and generations. The contact with music proves to be a field of pedagogical reflection, to approach the most recent changes of young people. The article aims to investigate some of the main features of the digital musical microcosm experienced as a search for a physical and symbolic place of sensibility and hospitality of themselves. Music is not necessarily a search for precision of sounds, but as possibility of communicating the the imperfect and vulnerable dimensions of oneself, in response to the artificial perfection of society, to rediscover personal uniqueness.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.



