This article investigates the complex typographic practice of titlings in sixteenth-century Italian printing, focusing on selected "polizze" as a case study. By examining the titlings employed by printers such as Bernardino Vitali, the Soncino press, and Andrea Torresani, the study sheds light on the aesthetic choices and technical refinements that characterized Italian titling practices. Contrary to the traditional historiographical narrative that privileges the typographic sophistication of Northern European presses, this contribution reclaims the high quality and stylistic originality of Italian titling typefaces.

Kemp, W., Araldi, C., Titolature in caratteri capitali romani incisi in Italia tra il 1506 e il 1520, <<LA BIBLIOFILIA>>, 2023; 125 (3): 667-676 [https://hdl.handle.net/10807/313804]

Titolature in caratteri capitali romani incisi in Italia tra il 1506 e il 1520

Araldi, Chiara
Co-primo
2023

Abstract

This article investigates the complex typographic practice of titlings in sixteenth-century Italian printing, focusing on selected "polizze" as a case study. By examining the titlings employed by printers such as Bernardino Vitali, the Soncino press, and Andrea Torresani, the study sheds light on the aesthetic choices and technical refinements that characterized Italian titling practices. Contrary to the traditional historiographical narrative that privileges the typographic sophistication of Northern European presses, this contribution reclaims the high quality and stylistic originality of Italian titling typefaces.
2023
Italiano
William Kemp è l'autore dell'articolo, scritto originariamente in inglese. Chiara Araldi si è occupata della traduzione in italiano.
Kemp, W., Araldi, C., Titolature in caratteri capitali romani incisi in Italia tra il 1506 e il 1520, <<LA BIBLIOFILIA>>, 2023; 125 (3): 667-676 [https://hdl.handle.net/10807/313804]
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10807/313804
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