the essay analyses some of the most interesting interpretations of Samuel Beckett's Happy Days on the Italian theatre scene
Cascetta, A., Peja, L., Winnie and the Tradition of the Actor: From the Old Italian Style Theatre to the Experimental Stage, <<JOURNAL OF BECKETT STUDIES>>, 2003; 13 (1): 73-97. [doi:10.3366/jobs.2003.13.1.6] [https://hdl.handle.net/10807/306023]
Winnie and the Tradition of the Actor: From the Old Italian Style Theatre to the Experimental Stage
Cascetta, AnnamariaPrimo
;Peja, LauraSecondo
2003
Abstract
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