the essay analyses some of the most interesting interpretations of Samuel Beckett's Happy Days on the Italian theatre scene

Cascetta, A., Peja, L., Winnie and the Tradition of the Actor: From the Old Italian Style Theatre to the Experimental Stage, <<JOURNAL OF BECKETT STUDIES>>, 2003; 13 (1): 73-97. [doi:10.3366/jobs.2003.13.1.6] [https://hdl.handle.net/10807/306023]

Winnie and the Tradition of the Actor: From the Old Italian Style Theatre to the Experimental Stage

Cascetta, Annamaria
Primo
;
Peja, Laura
Secondo
2003

Abstract

the essay analyses some of the most interesting interpretations of Samuel Beckett's Happy Days on the Italian theatre scene
2003
Inglese
Cascetta, A., Peja, L., Winnie and the Tradition of the Actor: From the Old Italian Style Theatre to the Experimental Stage, <<JOURNAL OF BECKETT STUDIES>>, 2003; 13 (1): 73-97. [doi:10.3366/jobs.2003.13.1.6] [https://hdl.handle.net/10807/306023]
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10807/306023
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