The article explores the different representations of violence in A Clockwork Orange, starting with Burgess' novel and moving through the different film adaptations to theater to advertising, musicals, and products of generative artificial intelligences
Eugeni, R., La violenza cinematografica: ‘Arancia meccanica’ e dintorni, in Gaia Donati, G. F. C. M. A. V. (ed.), Il corpo dell’altro. La parola e la violenza, Vita e Pensiero, Milano, Milano 2024: 239- 251 [https://hdl.handle.net/10807/273386]
La violenza cinematografica: ‘Arancia meccanica’ e dintorni
Eugeni, Ruggero
2024
Abstract
The article explores the different representations of violence in A Clockwork Orange, starting with Burgess' novel and moving through the different film adaptations to theater to advertising, musicals, and products of generative artificial intelligences
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