The reconstruction of the musical events of the Franciscan churches of Milan has shown the insertion of the Milanese Franciscan musical habits in a circuit of national scope - from the relationships of the Milanese convents with the sum auctoritas of Father Martini to the presence of figures such as Father Francesco Anotnio Urio who concluded in Milan, a career that saw him wander throughout Italy - and the city dimension that exalted the two teachers and theorists of eighteenth-century Milan: padre Narciso da Milano and padre Giandomenico Catenacci.
Marni, M., Storia, teoria e pratica della musica nei conventi dell'Italia settecentesca: il caso di Milano, in Annarilli, A. (ed.), La musica nel Settecento Francescano, Universitalia di Onorati srl, Roma 2023: 11- 44 [https://hdl.handle.net/10807/258662]
Storia, teoria e pratica della musica nei conventi dell'Italia settecentesca: il caso di Milano
Marni, Matteo
2023
Abstract
The reconstruction of the musical events of the Franciscan churches of Milan has shown the insertion of the Milanese Franciscan musical habits in a circuit of national scope - from the relationships of the Milanese convents with the sum auctoritas of Father Martini to the presence of figures such as Father Francesco Anotnio Urio who concluded in Milan, a career that saw him wander throughout Italy - and the city dimension that exalted the two teachers and theorists of eighteenth-century Milan: padre Narciso da Milano and padre Giandomenico Catenacci.
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