This chapter presents the main lines of neurofilmology, a theory regarding the viewer’s experience when engaging with audiovisual media. Neurofilmology constructs a model of the viewer’s experience articulated into four levels of interpretative configurations: sensation/perception, existential placement, narrative ordering, and relational attuning. The goal of neurofilmology, as a meta-empirical theory, is to open a dialogue between audiovisual semiotics and contemporary neurocognitive sciences.
Eugeni, R., Neurofilmology: Semiotics, cognitivism, audiovisual experience, in Biglar, A. (ed.), Open Semiotics. Volume 3. Texts, Images, Arts, L'Harmattan, Paris 2023: 421- 434 [https://hdl.handle.net/10807/242734]
Neurofilmology: Semiotics, cognitivism, audiovisual experience
Eugeni, Ruggero
Primo
2023
Abstract
This chapter presents the main lines of neurofilmology, a theory regarding the viewer’s experience when engaging with audiovisual media. Neurofilmology constructs a model of the viewer’s experience articulated into four levels of interpretative configurations: sensation/perception, existential placement, narrative ordering, and relational attuning. The goal of neurofilmology, as a meta-empirical theory, is to open a dialogue between audiovisual semiotics and contemporary neurocognitive sciences.
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