What does it mean for an actor to empathize with the character she is playing? We review different theories of empathy and of acting. We then consider the notion of “twofoldness” (Wollheim), which has been used to characterize the observer or audience perspective on the relation between actor and character (Smith). This same kind of twofoldness or double attunement applies from the perspective of the actor herself who must, at certain points of preparation, distinguish between the character portrayed and her own portrayal effected in her craft. We argue that this concept helps us to understand how the actor can empathize with her character. For the actor who must study and rehearse her character, empathy may begin with higher-order (narrative or imaginative) processes that provide a contextualized understanding of the character. This understanding eventually integrates with more basic empathic processes in her actual performance.

Basso, I. M.(a cura di), "VESTIRE I PANNI DI UN ALTRO: L'EMPATIA DELL'ATTORE NEI CONFRONTI DEL PERSONAGGIO" / traduzione di Gallagher, S., Gallagher, J., "Acting Oneself as Another: An Actor’s Empathy for her Character", <<BOLLETTINO FILOSOFICO>>, 37; 2022 (1): 68-86 [https://hdl.handle.net/10807/222425]

VESTIRE I PANNI DI UN ALTRO: L'EMPATIA DELL'ATTORE NEI CONFRONTI DEL PERSONAGGIO

Basso, Ingrid Marina
2022

Abstract

What does it mean for an actor to empathize with the character she is playing? We review different theories of empathy and of acting. We then consider the notion of “twofoldness” (Wollheim), which has been used to characterize the observer or audience perspective on the relation between actor and character (Smith). This same kind of twofoldness or double attunement applies from the perspective of the actor herself who must, at certain points of preparation, distinguish between the character portrayed and her own portrayal effected in her craft. We argue that this concept helps us to understand how the actor can empathize with her character. For the actor who must study and rehearse her character, empathy may begin with higher-order (narrative or imaginative) processes that provide a contextualized understanding of the character. This understanding eventually integrates with more basic empathic processes in her actual performance.
Italiano
Acting Oneself as Another: An Actor’s Empathy for her Character
Basso, I. M.(a cura di), "VESTIRE I PANNI DI UN ALTRO: L'EMPATIA DELL'ATTORE NEI CONFRONTI DEL PERSONAGGIO" / traduzione di Gallagher, S., Gallagher, J., "Acting Oneself as Another: An Actor’s Empathy for her Character", <<BOLLETTINO FILOSOFICO>>, 37; 2022 (1): 68-86 [https://hdl.handle.net/10807/222425]
File in questo prodotto:
File Dimensione Formato  
Gallgher.pdf

accesso aperto

Licenza: Non specificato
Dimensione 1.34 MB
Formato Adobe PDF
1.34 MB Adobe PDF Visualizza/Apri

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10807/222425
Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact