In the seventeenth century, Angelico Aprosio used a large number of pseudonyms with great flair to conceal his identity as a writer. The use of these aliases took shape in two opposite forms. On the one hand, in two of the prefaces of his works, his alter egos came to life in a convivial scene to explain the genesis of these books. On the other, Aprosio was committed to unmask other authors who used pseudonyms.
Chiesa, F., Mascheramento e smascheramento in Angelico Aprosio, <<STUDI SECENTESCHI>>, 2021; LXII (N/A): 295-300 [http://hdl.handle.net/10807/201281]
Mascheramento e smascheramento in Angelico Aprosio
Chiesa, Federica
2021
Abstract
In the seventeenth century, Angelico Aprosio used a large number of pseudonyms with great flair to conceal his identity as a writer. The use of these aliases took shape in two opposite forms. On the one hand, in two of the prefaces of his works, his alter egos came to life in a convivial scene to explain the genesis of these books. On the other, Aprosio was committed to unmask other authors who used pseudonyms.
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