The essay analyzes the mass Transeunte Domino by Giaches de Wert, from the polyphonic codex Sforza (1614-1616), kept in the Historical Archive of the Mantuan Diocese. This mass presents some differences from the one in Codex 55 (1622), kept in the Historical Archive of the Diocese of Udine. The paper tries to contextualize the mass within Giaches de Wert’s corpus and to explain the differences, to see whether they may be the result of interventions from the copyist Sforza or from Gian Giacomo Gastoldi, who worked with the maestro di cappella for a few years (and eventually succeeded him). The essay contains a transcription of the analyzed parts of the two masses
Mari, L., Un contributo all’opera omnia di Giaches de Wert: la missa Transeunte Domino nel codice mantovano Sforza 1614-1616, in Barocco Padano 4, Atti del XII Convegno Internazionale sulla musica italiana nei secoli XVII-XVIII, (BRESCIA -- ITA, 14-July 16-February 2003), A.M.I.S. (Antiquae Musicae Italicae Studiosi) - Como, Como, Italy 2006: 310-356 [http://hdl.handle.net/10807/169585]
Un contributo all’opera omnia di Giaches de Wert: la missa Transeunte Domino nel codice mantovano Sforza 1614-1616
Mari, Licia
2006
Abstract
The essay analyzes the mass Transeunte Domino by Giaches de Wert, from the polyphonic codex Sforza (1614-1616), kept in the Historical Archive of the Mantuan Diocese. This mass presents some differences from the one in Codex 55 (1622), kept in the Historical Archive of the Diocese of Udine. The paper tries to contextualize the mass within Giaches de Wert’s corpus and to explain the differences, to see whether they may be the result of interventions from the copyist Sforza or from Gian Giacomo Gastoldi, who worked with the maestro di cappella for a few years (and eventually succeeded him). The essay contains a transcription of the analyzed parts of the two masses
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