This paper explores the possibilities of reading the practice of pop music as a social narrative through the tools developed by narratology. In other words, in these pages It to gives an answer to two questions: 1. Is it possible to use narratology to read the practice of pop music? 2. Why is it useful to read songs and musicians as narratives?
Sibilla, G., Fragments Of A Musical/narratoligcal practice. Reading pop music as a narrative, musicians as characters, Paper, in Practising Popular Music, Proceedings from IASPM-InternationalConference, McGill University, Montreal (2003),, (Montreal, 04-09 July 2003), Iaspm/ Wellington, 2010, Montreal 2004: 843-853 [http://hdl.handle.net/10807/165372]
Fragments Of A Musical/narratoligcal practice. Reading pop music as a narrative, musicians as characters
Sibilla, Giovanni
2004
Abstract
This paper explores the possibilities of reading the practice of pop music as a social narrative through the tools developed by narratology. In other words, in these pages It to gives an answer to two questions: 1. Is it possible to use narratology to read the practice of pop music? 2. Why is it useful to read songs and musicians as narratives?
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