The discovery of an unpublished document illuminates the famous and most anthologized poem of Clemente Rebora (1885-1957), Dall’imagine tesa, offering a new interpretation to the mystery of the headline figure, important because it represents the meaning of the poet’s «terrible choice» after the dramatic experience of World War I and love with the Russian pianist Lydia Natus. The time of search and expectation, which has its outcome in Catholic conversion and in religious choice with a secret vote, pervades the collection of Canti anonimi, whose sources are investigated thanks to some author’s archival fragments. Roberto Cicala - Valerio Rossi, Università Cattolica del Sacro Cuore, Milano.
Cicala, R., Rossi, V., L’attesa di Rebora. Fonti dei Canti anonimi e frammenti inediti a cavallo della Grande Guerra (con un nuovo documento per la lettura di Dall’imagine tesa), <<AEVUM>>, 2015; LXXXIX (3): 783-802 [http://hdl.handle.net/10807/144905]
L’attesa di Rebora. Fonti dei Canti anonimi e frammenti inediti a cavallo della Grande Guerra (con un nuovo documento per la lettura di Dall’imagine tesa)
Cicala, Roberto
Writing – Original Draft Preparation
;
2015
Abstract
The discovery of an unpublished document illuminates the famous and most anthologized poem of Clemente Rebora (1885-1957), Dall’imagine tesa, offering a new interpretation to the mystery of the headline figure, important because it represents the meaning of the poet’s «terrible choice» after the dramatic experience of World War I and love with the Russian pianist Lydia Natus. The time of search and expectation, which has its outcome in Catholic conversion and in religious choice with a secret vote, pervades the collection of Canti anonimi, whose sources are investigated thanks to some author’s archival fragments. Roberto Cicala - Valerio Rossi, Università Cattolica del Sacro Cuore, Milano.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.