The chapters takes into account Peter Greenaway multifaceted project Lupercyclopedia, reserving a particular attention to its live cinema-related outcomes. The argument is structured on the potentiality to edit live the film and the subsequent articulation of a cinematic experience in which film, performance and digital technology intermingle. The resulting spectacle is analyzed in terms of mise-en-forme and mise-en-scène, focusing on the spatial articulation of the performance.

De Rosa, M. S., Lupercyclopedia. Notes on the archive in the age of live cinema, in Federici, F., Saba, C., Cinema and Art as Archive: Form, Medium, Memory, Mimesis International, Milano-Udine 2014: 225-243 [http://hdl.handle.net/10807/79941]

Lupercyclopedia. Notes on the archive in the age of live cinema

De Rosa, Miriam Stefania
Primo
2014

Abstract

The chapters takes into account Peter Greenaway multifaceted project Lupercyclopedia, reserving a particular attention to its live cinema-related outcomes. The argument is structured on the potentiality to edit live the film and the subsequent articulation of a cinematic experience in which film, performance and digital technology intermingle. The resulting spectacle is analyzed in terms of mise-en-forme and mise-en-scène, focusing on the spatial articulation of the performance.
Inglese
9788857523552
Mimesis International
De Rosa, M. S., Lupercyclopedia. Notes on the archive in the age of live cinema, in Federici, F., Saba, C., Cinema and Art as Archive: Form, Medium, Memory, Mimesis International, Milano-Udine 2014: 225-243 [http://hdl.handle.net/10807/79941]
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10807/79941
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