The chapters takes into account Peter Greenaway multifaceted project Lupercyclopedia, reserving a particular attention to its live cinema-related outcomes. The argument is structured on the potentiality to edit live the film and the subsequent articulation of a cinematic experience in which film, performance and digital technology intermingle. The resulting spectacle is analyzed in terms of mise-en-forme and mise-en-scène, focusing on the spatial articulation of the performance.
De Rosa, M. S., Lupercyclopedia. Notes on the archive in the age of live cinema, in Federici, F., Saba, C., Cinema and Art as Archive: Form, Medium, Memory, Mimesis International, Milano-Udine 2014: 225-243 [http://hdl.handle.net/10807/79941]
Lupercyclopedia. Notes on the archive in the age of live cinema
De Rosa, Miriam StefaniaPrimo
2014
Abstract
The chapters takes into account Peter Greenaway multifaceted project Lupercyclopedia, reserving a particular attention to its live cinema-related outcomes. The argument is structured on the potentiality to edit live the film and the subsequent articulation of a cinematic experience in which film, performance and digital technology intermingle. The resulting spectacle is analyzed in terms of mise-en-forme and mise-en-scène, focusing on the spatial articulation of the performance.
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