This book analyzes diachronically Samuel Beckett’s dramatic works considering the relation between tragic and tragedy. Philosophical, literary and biblical-theological categories help understanding that in Beckett’s horizon the traditional tragedy is passed but the tragic is more than ever alive. This tragic is expressed through laugh – that Beckett defines dianoethic – and gives birth to a new dramatic and anti-dramatic technique. The book also rebuilds the stage success of the works described and includes a wide and valuable photographic documentation.

Cascetta, A., Il tragico e l'umorismo. Studio sulla drammaturgia di Samuel Beckett, Le Lettere, Firenze 2000:<<Storia dello spettacolo>>, 399 [http://hdl.handle.net/10807/4361]

Il tragico e l'umorismo. Studio sulla drammaturgia di Samuel Beckett

Cascetta, Annamaria
2000

Abstract

This book analyzes diachronically Samuel Beckett’s dramatic works considering the relation between tragic and tragedy. Philosophical, literary and biblical-theological categories help understanding that in Beckett’s horizon the traditional tragedy is passed but the tragic is more than ever alive. This tragic is expressed through laugh – that Beckett defines dianoethic – and gives birth to a new dramatic and anti-dramatic technique. The book also rebuilds the stage success of the works described and includes a wide and valuable photographic documentation.
2000
Italiano
Monografia o trattato scientifico
Cascetta, A., Il tragico e l'umorismo. Studio sulla drammaturgia di Samuel Beckett, Le Lettere, Firenze 2000:<<Storia dello spettacolo>>, 399 [http://hdl.handle.net/10807/4361]
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10807/4361
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