Attention is drawn to specific copies — and their distinctive features — of the rare edition of Pentecoste (Pentecost) printed by Ferrario in November 1822, as well as to the presence, within the 1822 printing of the *Inni Sacri* (Sacred Hymns), of a manuscript slip containing variants— attributed to Manzoni — of the poem *Il nome di Maria* (The Name of Mary). Also presented and discussed is a previously unknown composition (in a printed form) celebrating the marriage of Giulia Beccaria to Massimo d’Azeglio; the work is by the equally obscure Don Samuele Ghianda, whose life and oeuvre are reconstructed here to the extent possible.
Frare, P., Frustoli manzoniani in Ambrosiana, in Carpentieri, C. M. (ed.), Tracce manzoniane in Ambrosiana, Biblioteca Ambrosiana - Centro Ambrosiano, Milano 2026: 157- 171 [https://hdl.handle.net/10807/347196]
Frustoli manzoniani in Ambrosiana
Frare, Pierantonio
2026
Abstract
Attention is drawn to specific copies — and their distinctive features — of the rare edition of Pentecoste (Pentecost) printed by Ferrario in November 1822, as well as to the presence, within the 1822 printing of the *Inni Sacri* (Sacred Hymns), of a manuscript slip containing variants— attributed to Manzoni — of the poem *Il nome di Maria* (The Name of Mary). Also presented and discussed is a previously unknown composition (in a printed form) celebrating the marriage of Giulia Beccaria to Massimo d’Azeglio; the work is by the equally obscure Don Samuele Ghianda, whose life and oeuvre are reconstructed here to the extent possible.
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