This contribution addresses the cultural and imaginative dimension of algorithms, understood not merely as technical devices but as a "social fact" capable of transforming subjects' perceptions, behaviors, and living conditions. Starting from the idea of the "digital revolution" as a new form of cultural hegemony internalized by contemporary societies, the essay proposes a Gramscian reconstruction of algorithmic imaginaries. Employing Gramsci's categories of hegemony, common sense, and popular culture, the contribution reconstructs how cultural industry has narrativized algorithms in popular culture, identifying two divergent discursive strands: one rooted in mainstream, hegemonic discourse that normalizes algorithms as neutral tools; the other promoting critical and alternative narratives that unveil underlying power dynamics and the implications of datafication.
Rosichini, M., Immaginari algoritmici. Una ricostruzione gramsciana, in Aroldi, P., Mascheroni, G., Pasquali, F., Scifo, B. (ed.), «...e quanto più sapore possibile». Comunicazione, media, industria culturale. Studi in onore di Fausto Colombo, Vita e Pensiero, Milano 2025: 2025 161- 170. 10.26350/9788834359686_000019 [https://hdl.handle.net/10807/341717]
Immaginari algoritmici. Una ricostruzione gramsciana
Rosichini, Marco
2025
Abstract
This contribution addresses the cultural and imaginative dimension of algorithms, understood not merely as technical devices but as a "social fact" capable of transforming subjects' perceptions, behaviors, and living conditions. Starting from the idea of the "digital revolution" as a new form of cultural hegemony internalized by contemporary societies, the essay proposes a Gramscian reconstruction of algorithmic imaginaries. Employing Gramsci's categories of hegemony, common sense, and popular culture, the contribution reconstructs how cultural industry has narrativized algorithms in popular culture, identifying two divergent discursive strands: one rooted in mainstream, hegemonic discourse that normalizes algorithms as neutral tools; the other promoting critical and alternative narratives that unveil underlying power dynamics and the implications of datafication.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.



