Between Modesty and Fashion. Dress Practices and Identity Construction among Young Muslim Women in Italy. This study investigates the dress practices of young Muslim women born or raised in Italy as a privileged analytical site for understanding processes of identity construction, visibility management, and negotiation of belonging in a plural and secularised context. The starting point is an empirical observation: the clothing choices of these young women constitute neither mere conformity to religious norms nor simple adherence to aesthetic trends, but rather a space of everyday mediation in which ethical, aesthetic, and relational dimensions intersect to produce situated subjectivities. The research draws on a rich and stratified corpus: one hundred biographical interviews conducted through life story accounts, eleven privileged witnesses, two focus groups, and sustained participant and non-participant observation throughout the entire doctoral period (2023–2025). With the first forty participants, an in-depth wardrobe interview was conducted (Woodward 2007). The sample comprises young women located primarily in Northern and Central Italy, belonging to the generation born between 1995 and 2005. Methodologically, the study integrates constructivist Grounded Theory (Charmaz 2014) with the ethnosociological approach of life stories (Bertaux 2008), within a reflexive framework that treats the researcher’s positionality – as a Muslim woman and insider to the contexts under investigation – as an epistemic resource rather than a variable to be neutralised. The analysis proceeds through successive levels of abstraction: from the primary thresholds structuring clothing choices (comfort, modesty, context), thirteen strategic configurations are identified – eight in public space, five in the private sphere – which are subsequently reorganised into bridging concepts, theoretical categories, and three overarching macro-processes: the strategic management of visibility, self-care and identity rootedness, and the continuity and transformation of the self through signs. The interpretive proposal emerging inductively from this trajectory is to read modesty as the situated negotiation of visibility: a core category that connects the micro-level of everyday practices with the meso- and macro-levels of social norms, religious discourses, and the regimes of the gaze within which those practices are inscribed. Modesty is understood here not as a fixed moral value or prescriptive norm, but as an embodied and relational practice, continuously redefined at the intersection of body, context, and recognition. In dialogue with the international literature (Badran 2009; Lamrabet 2017, 2025; Lewis 2013, 2015; Mahmood 2005; Tarlo 2010; among others), this work shifts attention from interior subjectivation to the situated and relational dimension of visibility, and documents the translation of modest fashion within a European context that remains legally unresolved, as is the case in Italy – showing how young women do not simply consume global repertoires but actively rewrite them into biographically grounded practices. In dialogue with the Italian scholarship on second generations (Acocella & Cigliuti 2016; Acocella & Pepicelli 2015; Acocella 2023; Frisina 2007, 2010a, 2010b, 2025; Pepicelli 2010, 2012, 2016, 2017; among others), the study contributes a specific lens on dress as a space in which what this research proposes to call lived citizenship becomes visible in embodied and everyday form.
Tra modestia e moda. Pratiche di abbigliamento e costruzione di identità tra le giovani musulmane in Italia. Questa ricerca indaga le pratiche vestimentarie delle giovani donne musulmane nate o cresciute in Italia come luogo analitico privilegiato per comprendere i processi di costruzione identitaria, gestione della visibilità e negoziazione dell’appartenenza in un contesto plurale e secolarizzato. Il punto di partenza è una constatazione empirica: l’abbigliamento di queste giovani non è né mera conformità a norme religiose, né semplice inseguimento di tendenze estetiche, ma uno spazio di mediazione quotidiana in cui dimensioni etiche, estetiche e relazionali si compenetrano e producono soggettività situate. La ricerca si fonda su un corpus ampio e stratificato: cento interviste biografiche condotte attraverso racconti di vita, undici testimoni privilegiate, due focus group e un’attività continuativa di osservazione partecipante e non partecipante nell’arco dell’intero percorso dottorale (2023–2025). Con le prime quaranta partecipanti si è condotto un approfondimento ai guardaroba (Woodward 2007). Il campione comprende giovani distribuite prevalentemente nel Nord e nel Centro Italia, appartenenti alla generazione nata tra il 1995 e il 2005. Sul piano metodologico, la ricerca integra la Grounded Theory costruttivista (Charmaz 2014) con l’approccio etnosociologico dei racconti di vita (Bertaux 2008) e con una prospettiva riflessiva che tratta il posizionamento della ricercatrice – donna musulmana, insider dei contesti indagati, come risorsa epistemica e non come variabile da neutralizzare. L’analisi procede per livelli di astrazione progressiva: dalle soglie primarie delle scelte d’abbigliamento (comodità, modestia, contesto), si costruiscono tredici configurazioni strategiche – otto nello spazio pubblico, cinque nella sfera privata – che vengono poi riorganizzate in concetti ponte, categorie teoriche e tre macro-processi trasversali: la gestione strategica della visibilità, la cura di sé e il radicamento identitario, la continuità e trasformazione del sé attraverso i segni. La proposta interpretativa che emerge induttivamente da questo percorso è leggere la modestia come negoziazione situata della visibilità: una categoria core che permette di connettere il livello micro delle pratiche quotidiane con il livello meso e macro delle norme sociali, dei discorsi religiosi e dei regimi di sguardo in cui quelle pratiche si inscrivono. La modestia non è qui intesa come valore morale fisso o norma prescrittiva, ma come pratica incarnata e relazionale, continuamente ridefinita nell’incontro tra corpo, contesto e riconoscimento. Rispetto alla letteratura di riferimento (Badran 2009; Lamrabet 2017, 2025; Lewis 2013, 2015; Mahmood 2005; Tarlo, 2010; ecc.) questo lavoro sposta l’attenzione dalla soggettivazione interiore alla dimensione situata e relazionale della visibilità, e documenta la traduzione della modest fashion in un contesto europeo giuridicamente irrisolto come quello italiano, mostrando come le giovani non consumino (solo) repertori globali ma li riscrivano in pratiche biograficamente radicate. Rispetto alla letteratura italiana sulle seconde generazioni (Acocella & Cigliuti 2016; Acocella & Pepicelli 2015; Acocella 2023; Frisina 2007, 2010a, 2010b, 2025; Pepicelli 2010, 2012, 2016, 2017; ecc.), il lavoro aggiunge una lente specifica sull’abbigliamento come spazio in cui si rende visibile, in forma incarnata e quotidiana, ciò che questa ricerca propone di chiamare cittadinanza vissuta.
Abdel Qader, Sumaya, TRA MODESTIA E MODA. PRATICHE DI ABBIGLIAMENTO E COSTRUZIONE DI IDENTITA' TRA LE GIOVANI MUSULMANE IN ITALIA, Mora, Emanuela, Frisina, Annalisa, Università Cattolica del Sacro Cuore MILANO:Ciclo XXXVIII. [doi:10.83049/unicatt/publicatt/10807_338349] [https://hdl.handle.net/10807/338349] [http://dx.doi.org/10.83049/unicatt/publicatt/10807_338349]
TRA MODESTIA E MODA. PRATICHE DI ABBIGLIAMENTO E COSTRUZIONE DI IDENTITA' TRA LE GIOVANI MUSULMANE IN ITALIA
Abdel Qader, Sumaya
2026
Abstract
Between Modesty and Fashion. Dress Practices and Identity Construction among Young Muslim Women in Italy. This study investigates the dress practices of young Muslim women born or raised in Italy as a privileged analytical site for understanding processes of identity construction, visibility management, and negotiation of belonging in a plural and secularised context. The starting point is an empirical observation: the clothing choices of these young women constitute neither mere conformity to religious norms nor simple adherence to aesthetic trends, but rather a space of everyday mediation in which ethical, aesthetic, and relational dimensions intersect to produce situated subjectivities. The research draws on a rich and stratified corpus: one hundred biographical interviews conducted through life story accounts, eleven privileged witnesses, two focus groups, and sustained participant and non-participant observation throughout the entire doctoral period (2023–2025). With the first forty participants, an in-depth wardrobe interview was conducted (Woodward 2007). The sample comprises young women located primarily in Northern and Central Italy, belonging to the generation born between 1995 and 2005. Methodologically, the study integrates constructivist Grounded Theory (Charmaz 2014) with the ethnosociological approach of life stories (Bertaux 2008), within a reflexive framework that treats the researcher’s positionality – as a Muslim woman and insider to the contexts under investigation – as an epistemic resource rather than a variable to be neutralised. The analysis proceeds through successive levels of abstraction: from the primary thresholds structuring clothing choices (comfort, modesty, context), thirteen strategic configurations are identified – eight in public space, five in the private sphere – which are subsequently reorganised into bridging concepts, theoretical categories, and three overarching macro-processes: the strategic management of visibility, self-care and identity rootedness, and the continuity and transformation of the self through signs. The interpretive proposal emerging inductively from this trajectory is to read modesty as the situated negotiation of visibility: a core category that connects the micro-level of everyday practices with the meso- and macro-levels of social norms, religious discourses, and the regimes of the gaze within which those practices are inscribed. Modesty is understood here not as a fixed moral value or prescriptive norm, but as an embodied and relational practice, continuously redefined at the intersection of body, context, and recognition. In dialogue with the international literature (Badran 2009; Lamrabet 2017, 2025; Lewis 2013, 2015; Mahmood 2005; Tarlo 2010; among others), this work shifts attention from interior subjectivation to the situated and relational dimension of visibility, and documents the translation of modest fashion within a European context that remains legally unresolved, as is the case in Italy – showing how young women do not simply consume global repertoires but actively rewrite them into biographically grounded practices. In dialogue with the Italian scholarship on second generations (Acocella & Cigliuti 2016; Acocella & Pepicelli 2015; Acocella 2023; Frisina 2007, 2010a, 2010b, 2025; Pepicelli 2010, 2012, 2016, 2017; among others), the study contributes a specific lens on dress as a space in which what this research proposes to call lived citizenship becomes visible in embodied and everyday form.| File | Dimensione | Formato | |
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