In accordance with the preceding volumes, Barocco Padano 7 offers a series of scholarly investigations aimed at clarifying several fundamental aspects of sacred music from the Po Valley during the Baroque era. The main themes confronted, in fact, are not only placed in a musicological sphere, but frame interdisciplinary perspectives of great interest to musical historiography. An attentive reading of these Atti demonstrates that the work of carrying out such research is still far from concluded. It is affected by the complexity of a universe, that of the Po Valley, which is not limited to Northern Italy, but exceedingly dominant across the entire continent, as is shown in the documented participation of Tomasz Jeż, Metoda Kokole and Stanislav Tuksar. With respect to the preceding volumes, Barocco Padano 7, proposes a direction-in certain ways-not previously taken, which is represented by music in the world of the worshippers. An efficacious testimony is offered here in the penetrating study of Christine Getz on the Milanese confraternity of the Rosary, in which (as can be ascertained from the evidence at Santa Maria della Rosa) polyphony, unified with prayer, had a defining role in spreading the Marian cult. Also with reference to the world of the worshippers is the equally illuminating essay of Danilo Zardin, which focuses largely on the interrelations “between the channels of circulation of the religious culture and the world of the musical arts”. On the methodological level, it is important to note the contribution of Linda Maria Koldau, which denounces the limits of historical boundaries brought to bear, still today, in distinguishing sacred production from the secular, negating thereby the individualization of inexorable stylistic connections between the two genres.

Barocco Padano 7 – in linea di continuità con i volumi precedenti – propone una serie di indagini volte a chiarire alcuni aspetti fondamentali della musica sacra padana in età barocca. I contributi si muovono in diverse direzioni. Le tematiche affrontate, infatti, si collocano in un ambito non solo musicologico, ma inquadrano prospettive interdisciplinari di grande interesse per la storiografia musicale. Un’attenta lettura di questi Atti evidenzia come il lavoro di ricerca sia ben lontano dall’essere concluso. Questo in ragione anche della complessità di un universo, qual è quello padano, che non è circoscrivibile nel Nord Italia, ma si irradia prepotentemente in tutto il continente come dimostrano i documentati interventi di Tomasz Jeż , Metoda Kokole e Stanislav Tuksar. Rispetto ai volumi precedenti, Barocco Padano 7 propone un versante – per certi versi – inedito, rappresentato dalla musica nel mondo dei devoti. Una efficace testimonianza ci è offerta dal penetrante studio di Christine Getz sulle confraternite milanesi del Rosario, nelle quali (lo accerta patentemente Santa Maria della Rosa) il canto polifonico unito alla preghiera ebbe un ruolo determinante nel diffondere il culto mariano. Sempre con riferimento al mondo dei devoti, illuminante riesce pure l’intervento di Danilo Zardin che mette bene a fuoco le interrelazioni «tra i canali di circolazione della cultura religiosa e il mondo delle arti musicali». Sul piano metodologico, mette conto segnalare il contributo di Linda Maria Koldau che denuncia i limiti di impostazioni storiografiche portate, ancora oggi, a distinguere la produzione sacra da quella profana, negando quindi l’individuazione di nessi stilistici imprescindibili tra i due generi.

Padoan, M., Colzani, A., Luppi, A. (eds.), Barocco padano 7, Atti del XV convegno internazionale sulla musica italiana nei secoli XVII-XVIII (Milano, 14-16 luglio 2009), A.M.I.S. (Antiquae Musicae Italicae Studiosi) Como, Como 2012: 763 [http://hdl.handle.net/10807/30404]

Barocco padano 7, Atti del XV convegno internazionale sulla musica italiana nei secoli XVII-XVIII (Milano, 14-16 luglio 2009)

Padoan, Maurizio;
2012

Abstract

In accordance with the preceding volumes, Barocco Padano 7 offers a series of scholarly investigations aimed at clarifying several fundamental aspects of sacred music from the Po Valley during the Baroque era. The main themes confronted, in fact, are not only placed in a musicological sphere, but frame interdisciplinary perspectives of great interest to musical historiography. An attentive reading of these Atti demonstrates that the work of carrying out such research is still far from concluded. It is affected by the complexity of a universe, that of the Po Valley, which is not limited to Northern Italy, but exceedingly dominant across the entire continent, as is shown in the documented participation of Tomasz Jeż, Metoda Kokole and Stanislav Tuksar. With respect to the preceding volumes, Barocco Padano 7, proposes a direction-in certain ways-not previously taken, which is represented by music in the world of the worshippers. An efficacious testimony is offered here in the penetrating study of Christine Getz on the Milanese confraternity of the Rosary, in which (as can be ascertained from the evidence at Santa Maria della Rosa) polyphony, unified with prayer, had a defining role in spreading the Marian cult. Also with reference to the world of the worshippers is the equally illuminating essay of Danilo Zardin, which focuses largely on the interrelations “between the channels of circulation of the religious culture and the world of the musical arts”. On the methodological level, it is important to note the contribution of Linda Maria Koldau, which denounces the limits of historical boundaries brought to bear, still today, in distinguishing sacred production from the secular, negating thereby the individualization of inexorable stylistic connections between the two genres.
2012
Italiano
Inglese
ZARDIN, Danilo; GETZ, Christine; DOMPNIER, Bernard; MELINI, Donatella; VANSCHEEUWIJCK, Marc; CAVALLO, Paolo; BALDI, Stefano; PADOAN, Maurizio; JEŻ, Tomasz; TUKSAR, Stanislav; KOKOLE, Metoda; MARI, Licia; CARTER, Stewart; WEAVER, Andrew H.; KOLDAU, Linda Maria; VIGLIZZO, Gianluca; BACCIAGALUPPI, Claudio–COLLARILE, Luigi; GARGIULO, Piero; FRATTALI, Arianna; CARPANI, Roberta; TOFFETTI, Marina; KURTZMAN, Jeffrey
978-88-97859-00-0
Padoan, M., Colzani, A., Luppi, A. (eds.), Barocco padano 7, Atti del XV convegno internazionale sulla musica italiana nei secoli XVII-XVIII (Milano, 14-16 luglio 2009), A.M.I.S. (Antiquae Musicae Italicae Studiosi) Como, Como 2012: 763 [http://hdl.handle.net/10807/30404]
File in questo prodotto:
Non ci sono file associati a questo prodotto.

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10807/30404
Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact