The article investigates the ritual and performative context in which the so-called ‘speaking’ crucifixes (wooden statues of the crucified Christ with a movable tongue) could historically belong. In the first part of the paper, I draw a brief outline of historical-critical studies on the use of animated sculptures in mediaeval ritual practices, focusing on the type under consideration. In the second part, I will formulate a hypothesis about using this specific sculpture in the Good Friday ceremonies celebrated by the Franciscan Order, particularly by the Observants, during the second half of the 14th century in Italy.
Bino, C. M., Words from the Cross: The Speaking Crucifixes and the Passion of the Franciscan Friars, in Delcorno, P., Johnson, H. (ed.), Communicating the Passion: The Socio-Religious Function of an Emotional Narrative (1250–1530), Brepols Publishers, Turnhout (Belgium) 2024: 269- 287. DOI 10.1484/M.EER-EB.5.14272 [https://hdl.handle.net/10807/288076]
Words from the Cross: The Speaking Crucifixes and the Passion of the Franciscan Friars
Bino, Carla Maria
Primo
2024
Abstract
The article investigates the ritual and performative context in which the so-called ‘speaking’ crucifixes (wooden statues of the crucified Christ with a movable tongue) could historically belong. In the first part of the paper, I draw a brief outline of historical-critical studies on the use of animated sculptures in mediaeval ritual practices, focusing on the type under consideration. In the second part, I will formulate a hypothesis about using this specific sculpture in the Good Friday ceremonies celebrated by the Franciscan Order, particularly by the Observants, during the second half of the 14th century in Italy.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.