The essay examines Roberto Rebora's extensive output as a theatre critic, spanning almost half a century, from 1939 to the second half of the 1980s. A curious and ductile spectator, Rebora shows an idea of theatre that is aware of the complexity of the theatrical experience. His writings reveal a precise knowledge of theatrical techniques, and a highly refined ability to read the theatrical image, both when he focuses on directing theatre, and when he examines some of the great plays of 20th century research.
Carpani, R., <>. Rebora e la critica teatrale, in Langella, G., Geremia, L., Savio, D. (ed.), Roberto Rebora <>, Interlinea Edizioni, Novara 2024: 45- 66 [https://hdl.handle.net/10807/274694]
<>. Rebora e la critica teatrale
Carpani, Roberta
2024
Abstract
The essay examines Roberto Rebora's extensive output as a theatre critic, spanning almost half a century, from 1939 to the second half of the 1980s. A curious and ductile spectator, Rebora shows an idea of theatre that is aware of the complexity of the theatrical experience. His writings reveal a precise knowledge of theatrical techniques, and a highly refined ability to read the theatrical image, both when he focuses on directing theatre, and when he examines some of the great plays of 20th century research.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.