L'intelligenza artificiale alla prova dell'autorialità

The world of art has always been linked to the society that produces it; it implicitly or explicitly recounts its political, social and cultural events, interprets its aspirations, and sometimes foresees its developments. In this sense, and explicitly since at least the 1860s, art has been interested in technological innovations, to the point of developing styles and trends that make technology the medium and the very objective of the work (New Media Art, Net Art, etc.). In the society that Hal Foster already defined at the end of the 1990s as 'electronic discipline' or, as McLuhan put it, 'electronic freedom' and the 'new possibilities of cyberspace' (1), art has not shied away from experimenting with the potential of images and sensory experiences offered by technology. Interaction with the digital, in particular, has not only caused a revolution in the field of languages, but in the entire art system. Above all, it has challenged the very concept of the centrality of the human being.