The article reconstructs the history of academic theatre teaching and the development of the discipline of theatre history at the Catholic University of Milan from 1955 to the present. It examines the figure of Mario Apollonio and the foundation of the discipline, with his theory on the chorus as an essential element of the theatrical experience. It then reconstructs the development of the line of theatre history studies promoted by Annamaria Cascetta and the development of research and educational activities in social theatre, beginning with the teachings of Sisto Dalla Palma and then Claudio Bernardi.
Carpani, R., Bernardi, C., Coral-mente. Pensiero teatrale, formazione performativa, teatro sociale all'Università Cattolica di Milano, in Cavaglieri, L., Gandolfi, R. (ed.), I teatri universitari nei territori del sociale. Storie, azioni, progetti, Bulzoni Editore, Roma 2022: 55- 75 [https://hdl.handle.net/10807/231256]
Coral-mente. Pensiero teatrale, formazione performativa, teatro sociale all'Università Cattolica di Milano
Carpani, Roberta
;Bernardi, Claudio
2022
Abstract
The article reconstructs the history of academic theatre teaching and the development of the discipline of theatre history at the Catholic University of Milan from 1955 to the present. It examines the figure of Mario Apollonio and the foundation of the discipline, with his theory on the chorus as an essential element of the theatrical experience. It then reconstructs the development of the line of theatre history studies promoted by Annamaria Cascetta and the development of research and educational activities in social theatre, beginning with the teachings of Sisto Dalla Palma and then Claudio Bernardi.
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