The issue at stake is that of an “education for women” and its (implicit or explicit) premises on the nature and character of women in Greek classical antiquity. Two authors are compared: Aristotle, whose “education of/and through shame” (Pol.I, VII; Eth. Nic. I, II) reveals an idea of women as "bouleutikon akyron" (a soul who chooses and acts without control); Xenophon, that in the "Oeconomicus" gives an example of how a young lady can reach a level of intelligence and rational action comparable to a masculine one, but inside the "oikos". The suggestion is that we can find an alternative model of feminine education and action only outside the social limits, in the world “apart” of barbarian tragic heroines or Pythagorean "femmes savants".
Cattanei, E., La vergogna delle donne. Dissonanze e consonanze femminili in Aristotele, in Bonelli, M. (ed.), Filosofe, Maestre, Imperatrici. Per un nuovo canone della storia della filosofia antica, Edizioni di Storia e Letteratura, Roma 2020: <<STUDI DI STORIA DELLA FILOSOFIA ANTICA>>, 10 17- 32 [https://hdl.handle.net/10807/230967]
La vergogna delle donne. Dissonanze e consonanze femminili in Aristotele
Cattanei, Elisabetta
2020
Abstract
The issue at stake is that of an “education for women” and its (implicit or explicit) premises on the nature and character of women in Greek classical antiquity. Two authors are compared: Aristotle, whose “education of/and through shame” (Pol.I, VII; Eth. Nic. I, II) reveals an idea of women as "bouleutikon akyron" (a soul who chooses and acts without control); Xenophon, that in the "Oeconomicus" gives an example of how a young lady can reach a level of intelligence and rational action comparable to a masculine one, but inside the "oikos". The suggestion is that we can find an alternative model of feminine education and action only outside the social limits, in the world “apart” of barbarian tragic heroines or Pythagorean "femmes savants".I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.