The author studies the language and artistic world of Everything Flows by Vasily Grossman story ", the last and one of his most important works. It is proposed to use frequency dictionaries of different versions of this short novel, in particular, lists of the most frequent nouns and adjectives. Such an analysis allows both to reveal the general properties of the language and to discover the key ideas and images of each of the versions and of the entire work.
Krasnikova, A., Vzgljad – vrač – vrag. Častotnye slovari i ėvoljucija jazyka i chudožestvennogo mira “Vsё tečet” Vasilija Grossmana [Sguardo – dottore – nemico. I dizionari frequenziali e l’evoluzione della lingua e del mondo artistico di “Tutto scorre” di Vasilij Grossman], in Tripol’Skaja, T. (ed.), Jazykovaja ličnost’ v zerkale jazykovych interpretacionnyh issledovanij, Izdatel’stvo NGPU, Novosibirsk 2021: 192- 217 [http://hdl.handle.net/10807/205451]
Vzgljad – vrač – vrag. Častotnye slovari i ėvoljucija jazyka i chudožestvennogo mira “Vsё tečet” Vasilija Grossmana [Sguardo – dottore – nemico. I dizionari frequenziali e l’evoluzione della lingua e del mondo artistico di “Tutto scorre” di Vasilij Grossman]
Krasnikova, Anna
2021
Abstract
The author studies the language and artistic world of Everything Flows by Vasily Grossman story ", the last and one of his most important works. It is proposed to use frequency dictionaries of different versions of this short novel, in particular, lists of the most frequent nouns and adjectives. Such an analysis allows both to reveal the general properties of the language and to discover the key ideas and images of each of the versions and of the entire work.
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