The study considers how the linguistic portrait of Nikolay Adreevich, a typical 1950s soviet intellectual-opportunist, changes in the various and yet unstudied editions of the last novel by Vasily Grossman Everything flows (1955–1963). Nikolay Adreevich reveals himself in dialogues with his wife Masha and his cousin Ivan. Analyzing in what way he addresses his wife and cousin in different editions, we can trace the whole process of reviewing the novel by the author himself.
Calusio, M., Штрихи к портрету советского приспособленца:Николай Андреевич из повести В. Гроссмана «Все течет...», in Трипольская, Т. А. (ed.), ЯЗЫКОВАЯ ЛИЧНОСТЬ В ЗЕРКАЛЕ ИНТЕРПРЕТАЦИОННЫХ ИССЛЕДОВАНИЙ, NGPU, Novosibirsk 2021: 66- 87 [http://hdl.handle.net/10807/188585]
Штрихи к портрету советского приспособленца: Николай Андреевич из повести В. Гроссмана «Все течет...»
Calusio, Maurizia
2021
Abstract
The study considers how the linguistic portrait of Nikolay Adreevich, a typical 1950s soviet intellectual-opportunist, changes in the various and yet unstudied editions of the last novel by Vasily Grossman Everything flows (1955–1963). Nikolay Adreevich reveals himself in dialogues with his wife Masha and his cousin Ivan. Analyzing in what way he addresses his wife and cousin in different editions, we can trace the whole process of reviewing the novel by the author himself.
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