The uneven distribution of temporality introduces important nuances when it comes to thinking waiting. Not everyone waits in the same way. The question is, how do you film waiting but take stock of this imbalance at the same time? This chapter investigates this question through an analysis of Cristi Puiu's The Death of Mr. Lazarescu (2005) and Pete Nicks The Waiting Room (2012).
Barotsi, R., Pete Nicks The Waiting Room: Das Warten filmen, in Peppel, C., Kölle, B., Die Kunst des Wartens, Verlag Klaus Wagenbach, Berlin 2019: 59-65 [http://hdl.handle.net/10807/179418]
Pete Nicks The Waiting Room: Das Warten filmen
Barotsi, Rosa
2019
Abstract
The uneven distribution of temporality introduces important nuances when it comes to thinking waiting. Not everyone waits in the same way. The question is, how do you film waiting but take stock of this imbalance at the same time? This chapter investigates this question through an analysis of Cristi Puiu's The Death of Mr. Lazarescu (2005) and Pete Nicks The Waiting Room (2012).
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