The essay is meant as a contribution to the reconstruction of Giuseppe Sarto’s Mantuan stay (1894-1896), by presenting several little known documents concerning the bishop’s thoughts on sacred music. During the years of the Cecilian movement, through contacts with musicians like Lorenzo Perosi and Giovanni Tebaldini, Sarto developed a series of norms which eventually flowed into the Motu Proprio of 1903, which bore his signature as pope Pius X
Mari, L., «Sia una forma la preghiera e, per quanto possibile, la norma del canto». Musica sacra a Mantova durante l’episcopato di Giuseppe Sarto, in Cipolla, C. (ed.), Giuseppe Sarto, Vescovo di Mantova, Franco Angeli, MILANO -- ITA 2014: 371- 393 [http://hdl.handle.net/10807/170396]
«Sia una forma la preghiera e, per quanto possibile, la norma del canto». Musica sacra a Mantova durante l’episcopato di Giuseppe Sarto
Mari, Licia
2014
Abstract
The essay is meant as a contribution to the reconstruction of Giuseppe Sarto’s Mantuan stay (1894-1896), by presenting several little known documents concerning the bishop’s thoughts on sacred music. During the years of the Cecilian movement, through contacts with musicians like Lorenzo Perosi and Giovanni Tebaldini, Sarto developed a series of norms which eventually flowed into the Motu Proprio of 1903, which bore his signature as pope Pius X
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