The essay analyzes some of the musical quotations contained in Teofilo Folengo’s Baldus, focusing, in particular, on matters concerning the technique and the performance practice. These pieces are studied across the four existing versions of the poem, showing the poet’s mastery and his careful use of the terminology

Mari, L., Folengo musicista. Note di tecnica e di prassi musicale in alcuni passi del ‘Baldus’, in Fabiańska, Z., Kubieniec, J., Sitarz, A., Wilk, P. (ed.), The Musicologist and Source Documentary Evidence. A Book of essays in honour of Prof. Piotr Poźniak on his 70th birthday, Musica Iagellonica, Kraków 2009: 161- 174 [http://hdl.handle.net/10807/169915]

Folengo musicista. Note di tecnica e di prassi musicale in alcuni passi del ‘Baldus’

Mari, Licia
2009

Abstract

The essay analyzes some of the musical quotations contained in Teofilo Folengo’s Baldus, focusing, in particular, on matters concerning the technique and the performance practice. These pieces are studied across the four existing versions of the poem, showing the poet’s mastery and his careful use of the terminology
2009
Italiano
The Musicologist and Source Documentary Evidence. A Book of essays in honour of Prof. Piotr Poźniak on his 70th birthday
978-83-7099-165-4
Musica Iagellonica
Mari, L., Folengo musicista. Note di tecnica e di prassi musicale in alcuni passi del ‘Baldus’, in Fabiańska, Z., Kubieniec, J., Sitarz, A., Wilk, P. (ed.), The Musicologist and Source Documentary Evidence. A Book of essays in honour of Prof. Piotr Poźniak on his 70th birthday, Musica Iagellonica, Kraków 2009: 161- 174 [http://hdl.handle.net/10807/169915]
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10807/169915
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