This paper discusses German intonation and specifically pitch (F0) and pitch contour considering both functional (phonological) and formal (phonetic) aspects. Universal functional characteristics are put in relation with language-specific characteristics; the analysis is performed in a specific contrastive (here: German-Italian) perspective. The paper aims at showing the interaction between phonetic forms and phonological functions of German intonation and to point out similarities and differences between German and Italian. These are particularly relevant in intercultural communication between Gernman and Italian speakers and in GFL-courses in Italy.
Missaglia, F., Deutsche Intonation: Formen und Funktionen, in Claudio Die Meola/joachim Gerdes/livia Tonell, C. D. M. G. T. (ed.), Germanistische Linguistik und DaF-Didaktik, Frank&Timme, Berlino 2019: 2019 47- 63 [http://hdl.handle.net/10807/136493]
Deutsche Intonation: Formen und Funktionen
Missaglia, Federica
2019
Abstract
This paper discusses German intonation and specifically pitch (F0) and pitch contour considering both functional (phonological) and formal (phonetic) aspects. Universal functional characteristics are put in relation with language-specific characteristics; the analysis is performed in a specific contrastive (here: German-Italian) perspective. The paper aims at showing the interaction between phonetic forms and phonological functions of German intonation and to point out similarities and differences between German and Italian. These are particularly relevant in intercultural communication between Gernman and Italian speakers and in GFL-courses in Italy.File | Dimensione | Formato | |
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