From the Late Antiquity to the Middle Ages, the texts and music of the Hispanic liturgy were written by scholars active also in Latin linguistics, such as Isidorus. Some well known features of Hispanic liturgies, e.g. the repetition of the same text, are studied in their cultural environment. A new explanation is proposed about the Provençal/Italian poetic form called "sonnet".
Milanese, G. F., Da Isidoro al sonetto. Stratificazioni culturali nella liturgia ispanica: un primo percorso, in Urso, G. (ed.), Hispania terris omnibus felicior, ETS, Pisa 2002: <<I convegni della Fondazione Niccolò Canussio>>, 357- 371 [http://hdl.handle.net/10807/85101]
Da Isidoro al sonetto. Stratificazioni culturali nella liturgia ispanica: un primo percorso
Milanese, Guido Fabrizio
2002
Abstract
From the Late Antiquity to the Middle Ages, the texts and music of the Hispanic liturgy were written by scholars active also in Latin linguistics, such as Isidorus. Some well known features of Hispanic liturgies, e.g. the repetition of the same text, are studied in their cultural environment. A new explanation is proposed about the Provençal/Italian poetic form called "sonnet".
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