Bramantino's Noli me tangere features a rare detail: Christ is touching the forehead of the Magdalen with three fingers. Such act is a reference to the relic of the skull of Mary the Magdalen housed in Saint-Maximin-La-Sainte-Baume. Starting from Bramantino's fresco, this essay will discuss the Noli me tangere imagery in Italy in the late fifteenth and early sixteenth centuries.
Gallori, C. T., Il Noli me tangere e il culto della Maddalena nel primo Cinquecento, in Natale, M., Elsig, F. (ed.), Le Duché de Milan et les commanditaires français (1499-1521), Viella Libreria Editrice, Roma 2013: <<STUDI LOMBARDI>>, 267- 286 [http://hdl.handle.net/10807/75014]
Il Noli me tangere e il culto della Maddalena nel primo Cinquecento
Gallori, Corinna TaniaPrimo
2013
Abstract
Bramantino's Noli me tangere features a rare detail: Christ is touching the forehead of the Magdalen with three fingers. Such act is a reference to the relic of the skull of Mary the Magdalen housed in Saint-Maximin-La-Sainte-Baume. Starting from Bramantino's fresco, this essay will discuss the Noli me tangere imagery in Italy in the late fifteenth and early sixteenth centuries.
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