Carla Bino and Stefano Locatelli retrace the debates and history of theatre as a form of political and social engagement in Italy, starting with the foundation of the first public theatre in 1947, the Piccolo Teatro di Milano. The heart of the problem was, and still is: what is there before, during and after the performance? An indistinct audience? An anonymous crowd? Or a community? But which community? Active, committed, responsible, open to the future. A choir fighting for freedom.
Bino, C. M., Locatelli, S., Performing Communities. Italian Experiences and Challenges, in Claudio Bernard, C. B., Giulia Innocenti Malin, G. I. M. (ed.), PERFORMING THE SOCIAL. Education, Care and Social Inclusion through Theatre, FRANCO ANGELI EDITORE, MILANO -- ITA 2021: 155- 165 [http://hdl.handle.net/10807/178666]
Performing Communities. Italian Experiences and Challenges
Bino, Carla Maria
Co-primo
;Locatelli, Stefano
Co-primo
2021
Abstract
Carla Bino and Stefano Locatelli retrace the debates and history of theatre as a form of political and social engagement in Italy, starting with the foundation of the first public theatre in 1947, the Piccolo Teatro di Milano. The heart of the problem was, and still is: what is there before, during and after the performance? An indistinct audience? An anonymous crowd? Or a community? But which community? Active, committed, responsible, open to the future. A choir fighting for freedom.
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