The essay points out the main stages in Dante’s speculation about the Occitan Troubadours, specifically focusing on the Commedia. Arnaut Daniel is the only troubadour to appear as a troubadour, while Bertran de Born, Sordel and Folquet de Marselha find their place in Dante’s Commedia according to their moral personality – both in the positive or negative sense. Actually, their poetical activity may have influenced Dante’s choice. The unnamed troubadour, i.e. quel de Lemosì, is almost certainly Giraut de Bornelh… or might he be Bernart de Ventadorn?
Gresti, P., Dante e i trovatori: qualche riflessione, in Il cerchio e il centro. Convegno dantesco, (Brescia, 30-30 October 2009), Fabrizio Serra Editore, Pisa-Roma 2010: 176-190 [http://hdl.handle.net/10807/1560]
Dante e i trovatori: qualche riflessione
Gresti, Paolo
2010
Abstract
The essay points out the main stages in Dante’s speculation about the Occitan Troubadours, specifically focusing on the Commedia. Arnaut Daniel is the only troubadour to appear as a troubadour, while Bertran de Born, Sordel and Folquet de Marselha find their place in Dante’s Commedia according to their moral personality – both in the positive or negative sense. Actually, their poetical activity may have influenced Dante’s choice. The unnamed troubadour, i.e. quel de Lemosì, is almost certainly Giraut de Bornelh… or might he be Bernart de Ventadorn?I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.