The essay points out the main stages in Dante’s speculation about the Occitan Troubadours, specifically focusing on the Commedia. Arnaut Daniel is the only troubadour to appear as a troubadour, while Bertran de Born, Sordel and Folquet de Marselha find their place in Dante’s Commedia according to their moral personality – both in the positive or negative sense. Actually, their poetical activity may have influenced Dante’s choice. The unnamed troubadour, i.e. quel de Lemosì, is almost certainly Giraut de Bornelh… or might he be Bernart de Ventadorn?

Gresti, P., Dante e i trovatori: qualche riflessione, in Il cerchio e il centro. Convegno dantesco, (Brescia, 30-30 October 2009), Fabrizio Serra Editore, Pisa-Roma 2010: 176-190 [http://hdl.handle.net/10807/1560]

Dante e i trovatori: qualche riflessione

Gresti, Paolo
2010

Abstract

The essay points out the main stages in Dante’s speculation about the Occitan Troubadours, specifically focusing on the Commedia. Arnaut Daniel is the only troubadour to appear as a troubadour, while Bertran de Born, Sordel and Folquet de Marselha find their place in Dante’s Commedia according to their moral personality – both in the positive or negative sense. Actually, their poetical activity may have influenced Dante’s choice. The unnamed troubadour, i.e. quel de Lemosì, is almost certainly Giraut de Bornelh… or might he be Bernart de Ventadorn?
2010
Italiano
Il cerchio e il centro. Convegno dantesco
Il centro e il cerchio. Convegno dantesco
Brescia
30-ott-2009
30-ott-2009
11234660
Fabrizio Serra Editore
Gresti, P., Dante e i trovatori: qualche riflessione, in Il cerchio e il centro. Convegno dantesco, (Brescia, 30-30 October 2009), Fabrizio Serra Editore, Pisa-Roma 2010: 176-190 [http://hdl.handle.net/10807/1560]
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10807/1560
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